The Comedy of Stephen Crow

Enter the second ecstasy of 21th century; Stephen chows new movie move to the West: Conquering the Demons has win more than two ampere-second million dollars box-office, which became the second best-sold fool in Chinese plastic film history. Stephen Chow and his waggery elbow room in one case again became the decoct that media and people pay solicitude to.\nStephen Chow, this name may be not that familiar to horse opera audiences. However, as a comedian, Chow began as an extra for the video recording station. He became quite puff up known for his movie The utmost Combat (1989). After this, he initiated his Mo coronal Tau funniness course. He created more than 30 comedian characters in 1990s Hong Kong film and became Hong Kongs undisputed zero(prenominal) 1 comedian. As a director, his Mo Lei Tau comedy style became more substantive and hard. His films again and again recall the box-office. Time magazine once said he is the numbfish of Asian, because his films n ot only rescued Hong Kong film market in 1990s but to a fault reflected part of Asian destination in that period.\nThis research is steering on his comedy style, especially Mo Lei Tau style and its influence. Mo Lei Tau is a Cantonese term that may be loosely translated as with no source, but is chiefly used to mean makes no sense. Regarded as an total part of Hong Kongs popular culture, it is considered by some as cosmos unique and untranslatable. Compared to Wacky waggery film for a westerly cousin, Mo Lei Tau movies capture a greater fear on puns and other Cantonese explicate tricks1. Mo Lei Tau is not just funny, the funny affair actually implies a legal cultural connotations. Through the spotty funny Mo Lei Tau way of expression, his films convey his unintelligible thinking of modern circumstance. As for Mo Lei Tau comedy, which is characterized by a nobody protagonist, elated ending, golden straight men, post-modernism and serious topics, etc. In this research, terzetto Stephen Chow�...